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    <loc>https://www.lizzykirkman.com/combeinteignhead</loc>
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    <lastmod>2026-09-27</lastmod>
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      <image:title>Combeinteignhead - Amelia’s Flower Farm ⚘ Combeinteignhead, 2026</image:title>
      <image:caption>On a late-summer afternoon in Combeinteignhead, rows of fiery orange and powder-pink dahlias stood against the wooded valley. Bruised windfalls lay scattered beneath an apple tree, softening in the grass. I moved carefully through translucent polytunnels filled with cosmos, lime zinnias, sweet peas and forget-me-nots, their colours softened beneath plastic in the hazy, golden light of September. Moving between intimate detail and the wider landscape, the series traces colour, repetition and the quiet work of cultivation. Together, the photographs form a fleeting record of abundance before the season turns.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Combeinteignhead - Amelia’s Flower Farm ⚘ Combeinteignhead, 2026</image:title>
      <image:caption>On a late-summer afternoon in Combeinteignhead, rows of fiery orange and powder-pink dahlias stood against the wooded valley. Bruised windfalls lay scattered beneath an apple tree, softening in the grass. I moved carefully through translucent polytunnels filled with cosmos, lime zinnias, sweet peas and forget-me-nots, their colours softened beneath plastic in the hazy, golden light of September. Moving between intimate detail and the wider landscape, the series traces colour, repetition and the quiet work of cultivation. Together, the photographs form a fleeting record of abundance before the season turns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790426085930-ZKOL6OFRO4QRK5G5KFHJ/reddahlia.jpg</image:loc>
      <image:title>Combeinteignhead</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Combeinteignhead</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Combeinteignhead</image:title>
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  <url>
    <loc>https://www.lizzykirkman.com/moorland-kin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790426841190-IYNFJCE72TYI0X0QHEZ8/dartmoorfoal.jpg</image:loc>
      <image:title>Moorland Kin - The Warren House Inn ⚘ Dartmoor, 2026</image:title>
      <image:caption>Across Dartmoor, free-roaming ponies move through the open grassland, their presence inseparable from the landscape. I observed the quiet moments between them—mares grazing while foals rested at their feet. A little way beyond the ponies stood the Warren House Inn. Inside, hikers rested over draught ale, laden rucksacks piled beside them, while two companions spoke softly by a fire said to have burned continuously since 1845. The series explores kinship, instinct and belonging. Through these photographs, I consider the bond between herd and habitat: a life shaped by weather, vast open moorland and the enduring rhythms of Dartmoor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790426841190-IYNFJCE72TYI0X0QHEZ8/dartmoorfoal.jpg</image:loc>
      <image:title>Moorland Kin - The Warren House Inn ⚘ Dartmoor, 2026</image:title>
      <image:caption>Across Dartmoor, free-roaming ponies move through the open grassland, their presence inseparable from the landscape. I observed the quiet moments between them—mares grazing while foals rested at their feet. A little way beyond the ponies stood the Warren House Inn. Inside, hikers rested over draught ale, laden rucksacks piled beside them, while two companions spoke softly by a fire said to have burned continuously since 1845. The series explores kinship, instinct and belonging. Through these photographs, I consider the bond between herd and habitat: a life shaped by weather, vast open moorland and the enduring rhythms of Dartmoor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790426861744-MUBCNK24ONIH5HE9LAQB/steppingstone.jpg</image:loc>
      <image:title>Moorland Kin</image:title>
    </image:image>
    <image:image>
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      <image:title>Moorland Kin</image:title>
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    <image:image>
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      <image:title>Moorland Kin</image:title>
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    <image:image>
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      <image:title>Moorland Kin</image:title>
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  </url>
  <url>
    <loc>https://www.lizzykirkman.com/daria-buoninconti</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-27</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/6ab7bb77d78f20652c841334/t/6ab80868b7b5107d6ade760c/1790428731777/</image:loc>
      <image:title>Daria Buoninconti</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790428003174-HWQWQJLVCVUBWMWHEKKG/dariaig2.jpg</image:loc>
      <image:title>Daria Buoninconti</image:title>
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      <image:title>Daria Buoninconti</image:title>
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    <image:image>
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      <image:title>Daria Buoninconti</image:title>
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  </url>
  <url>
    <loc>https://www.lizzykirkman.com/editorial</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
  </url>
  <url>
    <loc>https://www.lizzykirkman.com/the-parkland-walk</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790433976316-ZS88VMCU8GYESWP8NTUC/uncommonzine.JPG</image:loc>
      <image:title>The Parkland Walk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790433907443-USEXEDDLKW9CV6TNY3F4/mushroom.jpg</image:loc>
      <image:title>The Parkland Walk - Issue One ⚘ Gillespie Park, 2022</image:title>
      <image:caption>Uncommon Ground is an independent zine created and designed by Devon Jeffs, and edited by Frances Stewart. For Issue One, I contributed The Parkland Walk, which follows a former railway line north from Finsbury Park. Along the route, I captured mushrooms clustered on fallen wood, hawthorn berries, rose hips, crab apples and the quiet meeting of woodland and city—trains passing beyond meadow grass and buildings glimpsed through the trees. The photographs trace abundance at the turn of the season, as the last fruits of summer give way to autumn. Together, they invite slower attention to what grows, ripens and decays within London’s well-loved green spaces.</image:caption>
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      <image:title>The Parkland Walk</image:title>
    </image:image>
    <image:image>
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      <image:title>The Parkland Walk</image:title>
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  </url>
  <url>
    <loc>https://www.lizzykirkman.com/new-gallery-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/6ab7bb77d78f20652c841334/t/6ab80b0dea09384d96a5342a/1790446349038/</image:loc>
      <image:title>Mumford &amp; Sons - Mumford &amp; Sons ⚘ Guiding Light 2018</image:title>
      <image:caption>For Mumford &amp; Sons’ Guiding Light, directed by Joe Connor and produced by You Are Here Productions, I created a series of burst-sequence still photographs during the band’s performance outside Tate Modern. One hundred fans joined the band on London’s South Bank. The band decided to play live, transforming the shoot into a joyous shared performance as commuters and passers-by stopped to watch along the Thames. The sequences cut through the video in flickering black-and-white fragments—faces, gestures and details drawn from within the crowd. They shift the perspective between the musicians and those gathered around them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790446204968-RNCFI72OUQHY704YPY2E/test.png</image:loc>
      <image:title>Mumford &amp; Sons</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/6ab7bb77d78f20652c841334/6ab80a3a8bd8b206d26c4dd6/6ab80a9100b933553ed40e2a/1790446349038/</image:loc>
      <image:title>Mumford &amp; Sons - Mumford &amp; Sons ⚘ Guiding Light 2018</image:title>
      <image:caption>For Mumford &amp; Sons’ Guiding Light, directed by Joe Connor and produced by You Are Here Productions, I created a series of burst-sequence still photographs during the band’s performance outside Tate Modern. One hundred fans joined the band on London’s South Bank. The band decided to play live, transforming the shoot into a joyous shared performance as commuters and passers-by stopped to watch along the Thames. The sequences cut through the video in flickering black-and-white fragments—faces, gestures and details drawn from within the crowd. They shift the perspective between the musicians and those gathered around them.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lizzykirkman.com/new-cover-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
  </url>
  <url>
    <loc>https://www.lizzykirkman.com/read-me-wells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
  </url>
  <url>
    <loc>https://www.lizzykirkman.com/contact-wells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
    <image:image>
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      <image:title>About</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.lizzykirkman.com/ganzitos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
    <video:video>
      <video:content_loc>https://video.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/c9afa69e-584d-46af-9567-44529a2d58da/playlist.m3u8</video:content_loc>
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      <video:title>Ganzitos</video:title>
      <video:description>Video content for @formabianca. Reel edited by Daria Buoninconti.</video:description>
    </video:video>
  </url>
  <url>
    <loc>https://www.lizzykirkman.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6ab7bb77d78f20652c841334/1790428423184-CQX62DOEP090F61IBSQO/hampstead.jpg</image:loc>
      <image:title>Home - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
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